My portraits are not about accurate resemblance; they’re attempts to catch a living presence. Faces surface from layers of paint and drawing, then partially withdraw, marks kept, marks removed, histories left visible. The gaze is suggested rather than fixed; a line can be tender or feral, a smudge can hold more truth than detail.
Echoes of the Renaissance meet a contemporary urgency as figuration edges into abstraction. Each work feels like a memory arriving: specific yet universal, poised between vulnerability and strength. These are portraits you don’t simply look at you meet them, and they quietly look back.
Echoes of the Renaissance meet a contemporary urgency as figuration edges into abstraction. Each work feels like a memory arriving: specific yet universal, poised between vulnerability and strength. These are portraits you don’t simply look at you meet them, and they quietly look back.
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The place where forgotten promises drift quietly beneath the surface of things we thought we understood, 2026Oil on canvas48 x 59 7/8 in
122 x 152 cm -
Where silence gathers, 2026Acrylic on wooden panel48 x 59 7/8 in
122 x 152 cm -
Buffering , 2026Mixed media on canvas55 1/8 x 66 7/8 in
140 x 170 cm -
Reminiscent of rumbles, 2025Oil on canvas66 7/8 x 70 1/8 in
170 x 178 cm -
Disconnect, 2024Mixed media on canvas l27 1/2 x 31 1/2 in
70 x 80 cm -
Close enough, 2026Mixed media on canvas55 1/8 x 66 7/8 in
140 x 170 cm -
Deadbeat, 2025Oil on canvas66 7/8 x 74 3/4 in
170 x 190 cm -
Vanity Seeds, 2025Mixed media on. wooden panel39 3/8 x 47 1/4 in
100 x 120 cm -
UntouchedAcrylic on canvas39 3/8 x 47 1/4 in
100 x 120 cm -
Dalliances with significant adjustments , 2025Acrylic on canvas39 3/8 x 47 1/4 in
100 x 120 cm -
Fiddles and features , 2026Mixed media on canvas55 1/8 x 66 7/8 in
140 x 170 cm -
Ricochet's, 2025Mixed media on canvas39 3/8 x 47 1/4 in
100 x 120 cm -
Mover, 2026Mixed media on wooden panel39 3/8 x 47 1/4 in
100 x 120 cm
